wetransfer

I feel compelled to write a little ‘big-up’ article in praise of wetransfer.

Firstly, they provide an excellent service. As a designer most of my output is digital and some files (especially animations and documents for print) can be really very large. Wetransfer let’s you send large documents to any recipient by effectively uploading them to their website. The recipient just gets a little weblink to click on and hey presto, no more pesky attachment limits, that massive, and of course beautifully crafted, document is all theirs.

Secondly on the page where you upload your digital gold there is always an arresting image in the background- these are in fact adverts but it’s easy to feel like it’s more of a showcase for artists and photographers. This photo from Bernhard Lang  particularly caught my attention. Very awesome.

Bernhard Lang

Why I would not by new

Derwenthorpe SmallExemplar scheme for starter homes scheme by Richards Partington Architects

I opened and read my RIBA newsletter today (gasp!) and was drawn to an article relating to the government’s Starter Homes programme. It described criticism by of a statement that an initial set of exemplar designs will be used as a default position for new homes on brownfield sites across the country. The article really didn’t say a lot worth commenting on but has forced me to reflect on the context.

A little background information first…

The starter homes scheme was initially described as supplying 100,000 homes at discounted prices. The prices being achieved through the removal of CIL (community Infrastructure Levy- money for roads and services etc usually provided by the contractor). This week in the run up to the general elections, the government has doubled its pledge to 200,000 houses.

There are two home buying schemes in the UK for those wanting to get on the property ladder. The first is the ‘help to buy’ where you provide 5% deposit, the government loan you 20% interest free for 5yrs and the rest is your mortgage.

The second is the ‘starter homes scheme’ where new homes are built more cheaply and sold at a 20% discount on market price.

Economically the situation is  a total mess. I am happy that the government recognise that young hard working economic contributors are priced out but feel that neither schemes address the source of the problem which is rooted in economic disparity and protecting the interests of the powerful/rich.

Architecturally I find it hard to believe that creating pockets of homes only available for purchase by first time buyers will not help to strengthen our existing communities.

The government has appointed an illustrious group of professionals to oversee the scheme (Sir Terry Farrell, Sir Quinlan Terry and Roger Scruton). They have stated that government must balance fast and low-cost delivery with the need for high quality ‘contextual’ design.

This is my take on it as someone who the schemes are aimed at.

I would NEVER buy any of the houses I’ve had to work on for major housebuilders.

why?

  1. Housebuilders are too constrained. I’m not saying that housebuilders are angels but it’s not all their fault. I’ve worked with many housebuilders longing to build something different but are so constrained by costly processes, planning, certification, legal etc and their own profitability (where the business is not their own) that any desire for originality or vision is squeezed out very early on in the process.
  2. Too much value is placed on number of units.
  3. Too much value is placed primarily on number of bedrooms. As a couple with no kids one large bedroom with a walk-in is preferable to two useless box rooms
  4. Room sizes are far too small. Some smaller rooms with adequate storage balanced with larger more dramatic spaces would be preferable. Radiators take up valuable wall space- other heating methods would improve this if some spaces are required to be necessarily smaller.
  5. Rooms are too regular. no scope for built in cupboards or shelving.
  6. Ceiling heights are too low. small rooms plus low ceilings= claustophobia!
  7. Very.regular.windows. not enough variation in windows and openings is super boring and does not capitalise on most attractive aspects/views.
  8. No texture. I blame the planners for this one. Where are the decorative hanging tiles, caustic floor tiles, leaded windows or modern day equivalents. Neutral is boring.
  9. Quality of outdoor space. A small enclosed roof terrace or balcony (large enough for table and chairs and a bbq) overlooking considered public realm is preferable to the obligatory close-boarded fenced area with no rear access overlooked on all four sides.

I could go on but I’m starting to depress myself.

I’ll leave you with another vision of the future from the Design Review Panel.

BicesterGardenCity_Aerial_©Farrells

Money for old rope

I’ve been using a tutorial for drawing rope today. I’ve simplified my rope brush, removing the shading, as I’m working on a monochrome project at the moment. I think it’s a great tutorial and could be used for many applications. Have a go and enjoy your Sunday.

heart opt

Resolve to be resolute

new yearStrangely, to have a resolve suggests the presence of a problem – not a particularly positive way to start the year but as a creature of habit- here goes…

  1. Use more keyboard shortcuts, already found some great ones for Adobe illustrator (using ~ and dragging a pattern fill to position is a fast favourite)
  2. Use more cute stationary. Why not? it’s the little things right.
  3. Face anxiety head on. If something’s bothering me I want to deal with it head on to leave me more time to be creative and less time for worrying.

Happy new year!

Thanks You Tube

I’ve got a very exciting project/s that I’m working on for a new client that is a little different from some of my past work. What’s really great about it is that I’ve had to develop some new Adobe Photoshop skills which I have really been enjoying. Two new techniques I’ve been working on are drawing hair and creating watercolour effects.

hair study

Watercolour study

I’ve been using fantastic tutorials I’ve found on you tube. I’m so grateful to the people that take their time to share their knowledge in this way.

Brutal

Image borrowed from wikipedia - thanks!

Image borrowed from wikipedia – thanks!

I can’t understand any architects who claim to not have an interest in what is termed ‘Brutalist’ Architecture. Large scale, post-war, usually concrete architecture isn’t the easiest on the eye for most people but it represents probably the most exciting and most dynamic period of construction for architects during the 20th century.

Fueled by socialist motivations and visions of modern utopia Britain built big and bold in it’s post-war years. The successes and failures of of construction from this period make for interesting reading and serve as a reminder to all about the importance of genuine place-making and ethical and humane development.

A recent article in Dezeen caught my eye. It concerns a short continuity piece of footage you may have seen on channel four. The footage shows Aylesbury estate in Southwark, a stone’s throw from where I studied for my diploma in Architecture. The grey, system built housing estate is depicted as menacing and intimidating as rubbish blows around and clouds loom in the distance.

The estate is in many ways indistinguishable, other than perhaps in its scale, from other mass housing schemes of its kind, that are synonymous with crime and urban decay, but yet here, the residents have taken the bold step to speak out against the vision presented by channel four by creating their own version of the film. I have huge admiration the people of Aylesbury Estate who have spoken out as a collective and in such a creative way.